Broadway’s Best Title Songs

By Alex Kopnick & BBS Staff

Since the beginning of the medium, musicals have had title songs which grabbed audiences and brought out the heart of the art they exist within. It’s almost a requirement for a great musical to have a song that’s named the exact same thing as the show. Let’s take a look through the history of great musicals—past, present and future—and shout out some of the best title songs of all time:

‘Oklahoma’ from Oklahoma

From what is widely considered to be the first ever book musical, ‘Oklahoma’ spells out what makes a great titular song. Coming midway through the second act, this joyous celebration of the song, which happens in the big wedding scene brings out the love the characters have from their home state. With the repeated spelling out of the name of the grand land they belong to, if you’ve ever encountered this show, you’ve certainly never had trouble spelling the state north of Texas since. 

‘Hello Dolly!’ from Hello Dolly!

There may not be a more iconic pair of words sung in the canon of theatre than “Hello Dolly!”? If youre anything like us, you can’t even just read those words without hearing them in tune. This song sticks with you, and it alone makes the show its named after worthy of its place in the history of musical theatre. An iconic character moment, Dolly announces to us, in a way full of the character’s iconic personality, that She. Is. Back. This tune is so good, they even bring it back at the end for a reprise.

‘The Sound of Music’ from The Sound of Music 

One of the few musicals to really transcend the form in popularity, and with a subsequent movie that is one of the most famous of all time, ‘The Sound of Music’ is a stunning opening number that gives us the name of the show and teaches us so much about the journey we’re getting ready for. The joy and vibrance of the song, and Maria who sings it, greets us into the beautiful landscape of this show’s world, and teaches us everything we need to know about how Maria views the world. The hills are alive, and when this song hits, so is the audience.

‘Phantom of the Opera’ from The Phantom of the Opera

I mean come on! Of course ‘Phantom of the Opera’ is here! It’s inside our hearts and probably yours, given that this is one of the most successful shows of all time. With one of the greatest riffs in history from Christine, a boat sequence burned into all of our brains, and an electric score that combines the classical, operatic context with Webber’s modern (at the time) sensibilities, there’s a reason this show was on Broadway for 35 years.

‘Sunset Boulevard’ from Sunset Boulevard 

For those of you on tiktok, this song isn’t just stuck in your head, but a video of a man marching down Shubert Alley, in the 2024 revival, singing it accompanies the tune. That is a good representation of just how sensational this show’s titular number is, and the way this show took over Broadway each time it’s run on the great wide way. It’s not as cheery as the other title songs on this list; Foreboding, intense, and grand, this opening track really gives you a sense of the Hollywood thriller in store for you as this musical begins.  

‘Rent’ from Rent

While growing up is looking at this musical and saying, “Why don’t those damn kids just pay their rent!?”, this opening number title song gives us the context we need to buy in to Jonathan Larson’s sensational grungy, 90s-set adaption of La Boheme. The drums! The electric guitar! THE ANGST! This number introduced audiences to the unique voice of its writer and its revolutionary stylistic additions to the canon shaped a generation of musical theatre writers. 

’Mamma Mia!’ from Mamma Mia!

Here we go again! What started as ABBA’s iconic song became the anthem for one of the most beloved and successful musicals of all time. Pure joy in the form of pop music, Mamma Mia, both song and show, are a hoot and a half. The show and this song brings us in to the central drama of the story, and into the party that is this show’s complicated, messy, and loving family dynamic. There’s a reason the movie adaptation is the 15th highest grossing movie-musical of all time. And most exciting of all, Mamma Mia is returning to broadway this Summer!

‘In the Heights’ from In the Heights

The second the claves hits, you know In the Heights isn’t your grandma’s classic, Jazz-derived musical. Lin-Manuel Miranda’s pre-Hamilton Broadway outing is flourishing with the vibrant musical culture of its world. Lin brought hip hop, authentic latin styles, and pop to musical theatre with this show, and as Usnavi raps us through a warm welcome to a day in the life of the Washington Heights community, he builds a framework for what this show has in store. From the dissatisfaction that exists in the community to the routines we will soon see disrupted, Lin proved himself a true scholar of the form, building an outstanding, bullet proof, and innovative titular number to open one of the best musicals of the 21st century. 

‘Maybe Happy Ending’ from Maybe Happy Ending

‘Maybe Happy Ending’ (the song) brings out everything that makes the show it’s named after great! A simple, yet deeply meaningful and evocative duet sung by two robots, this number reinforces the themes of the show and brings us into the home stretch of the journey in a truly perfect way (NO SPOILERS). By the time this song ends, there isn’t a dry eye in the audience, and it’s no wonder people are running back to see this show more than 10 times. 

‘Smash’ from Smash

NBC’s short-lived television series Smash is making the leap to the Broadway stage this spring, bringing with it many of the big, brassy showtunes written for the show-within-a-tv-show Bombshell, including the appropriately titled ‘Smash’ about dreaming to be a hit star in a hit show. Marc Shaiman & Scott Wittman’s earworm of a score plays even better made meta, coming off the stage as opposed to through the screen.